I didn’t start off in the sound world.
But after years of working on film sets and corporate shoots, I kept noticing that people often overlooked sound when planning projects. After struggling to find sound department crew for my own projects, I decided to jump "headphones-first" into production sound mixing.
As a production sound mixer, I'm committed to capturing clean, high-quality audio that helps elevate any production. Whether it's narrative, corporate, or anything in-between, I will collaborate with you to help make your project sound as good as it looks. As a bonus, my background as an AD and filmmaker allows me to easily stay in sync with the needs of any production.
Recent Credits

"Tell Me, Where Do We Stand?" - Film (Short) - Phillip McConnell
Production Sound Mixer
     • Recorded ISOs of over six distinct audio sources.
     • Handled concealing lavs and timecode sync for production.
     • Delivered labeled files and detailed sound report at the end of each day.

"Don't Be Afraid" - Film (Short) - Cystic Cinemas
Production Sound Mixer
     • Timecode sync with smart slate and TC generators.
     • Lav placement for clean secondary audio.
     • Mixed boom and lavs live for post.

"Obsession" - Film (Short) - Jaden Miller Productions
Production Sound Mixer
     • Captured clean dialogue in tight interior setups.
     • Provided timecode sync across multiple cameras.
     • Delivered organized file structure and detailed sound report for post.

"Catching the Stars" - Film (Short) - Freelance
Production Sound Mixer
     • Concealed lavs with dynamic wardrobe changes.
     • Set up camera hops and IFBs for client monitoring.
     • Captured clean audio using lavs and boom combination.
For a full list of credits, click here to view my StaffMeUp profile.
Equipment Package
I own a versatile kit that’s ready for a wide range of production scenarios. For larger or specialized shoots, I can scale up with rentals as needed. Let me know if you need something specific, and I can help source it for you.
Primary Recorder: 
          • Sound Devices MixPre-10 II
Microphones: 
          • Sennheiser MKH 416 Shotgun Microphone
          • Sennheiser MKH 50 Super-Cardioid Microphone
          • Sanken COS-11D Lavalier Microphones (x4)
Wireless and IFB: 
          • Shure SLXD5+ Wireless Receivers (x5)*
          • Shure SLXD1+ Wireless Bodypack Transmitters (x4)*
          • Shure SLXD3+ Wireless Plug-On Transmitter
          *System can be configured to provide a wireless audio feed for client monitoring (IFB)
Timecode: 
          • Deity TC-1 Timecode Generators (x3)
          • Deity TC-SL1 Wireless Smart Slate
Accessories:
          • 9-Foot Boom Pole
          • Rycote Blimp Kit with Dead Cat
          • URSA Straps (Body-Worn Straps for Mic Packs)
          • Lav Concealers and Assorted Expendables
“Reliable, skilled, and a great sense of humor...Ray made sound feel like the one thing we didn’t have to worry about.” -Jaden Miller (Director, Obsession)
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