I didn’t start in sound.
But after years of working on countless film sets, I kept noticing the same pattern: sound was often the last position to be filled—sometimes reluctantly, and rarely with the attention it deserved. I decided to change that—not just to elevate the audio in my own projects, but to support others with reliable, high-quality location sound.
Since then, I’ve been committed to learning the craft of production sound mixing from the ground up, bringing that same passion and collaborative mindset to every set I work on. As another production sound mixer once told me, “No one starts in sound—but somehow we end up here, and most of us never look back.” I couldn’t agree more.
Since transitioning into sound in 2024, I’ve worked on a range of projects including narrative, corporate, and branded content.
Recent Credits

"Don't Be Afraid" - Film (Short) - Cystic Cinemas
Production Sound Mixer
     • Timecode sync with smart slate and TC generators
     • Lav placement for clean secondary audio
     • Mixed boom and lavs live for post

"Obsession" - Film (Short) - Jaden Miller Productions
Production Sound Mixer
     • Captured clean dialogue in tight interior setups.
     • Provided timecode sync across multiple cameras.
     • Delivered organized file structure and detailed sound report for post.

"Catching the Stars" - Film (Short) - Freelance
Production Sound Mixer
     • Concealed lavs with dynamic wardrobe changes.
     • Set up camera hops and IFBs for client monitoring.
     • Captured clean audio using lavs and boom combination.
For a full list of credits, click here to view my StaffMeUp profile.
Equipment Package
I own a versatile kit that’s ready for a wide range of production scenarios. For larger or specialized shoots, I can scale up with rentals as needed. Let me know if you need something specific, and I can help source it for you.
Primary Recorder: 
          • Sound Devices MixPre-10 II
Microphones: 
          • Sennheiser MKH-416 Shotgun Microphone
          • Sony ECM-V1BMP Lavalier Microphones (x4)
Wireless and IFB: 
          • Sony URX-P40 UHF Wireless Receivers (x5)
          • Sony UTX-B40 UHF Wireless Bodypack Transmitters (x4)
          • Sony UTX-P40 UHF Wireless Plug-On Transmitter
          • System can be configured to provide a wireless audio feed for client monitoring (IFB)
Timecode: 
          • Deity TC-1 Timecode Generators (x3)
          • Deity TC-SL1 Wireless Smart Slate
Accessories:
          • 9-Foot Boom Pole
          • Blimp Kit with Dead Cat
          • URSA Straps
          • Lav Concealers
“Reliable, skilled, and a great sense of humor—Ray made sound feel like the one thing we didn’t have to worry about.” -Jaden Miller (Director, Obsession)
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